| |
16 CHANNELS
REQUIRED
TOTAL VOCAL MICS:
4
TOTAL AMP MICS:
1
TOTAL DRUM MICS:
8
TOTAL D.I.
BOXES: 1
TOTAL BALANCED
LINE OUTS: 2
|
|
RON |
1 x VOCAL MIC
(SM58 OR
SIMILAR) |
| |
1 x DI BOX FOR
ACOUSTIC GUITAR |
| |
|
|
AL |
1 x VOCAL MIC
(SM58 OR
SIMILAR) |
| |
1 x BALANCED
LINE (DIRECT OUT
OF ACOUSTIC AMP) |
| |
1 x SM57 OR
SIMILAR FOR
ELECTRIC GUITAR
AMP |
| |
AL WILL DOUBLE
UP ON HIS VOCAL MIC FOR
OCCASIONAL
ACCORDION |
| |
|
|
PHIL D |
1 x VOCAL MIC
(SM58 OR
SIMILAR) |
| |
1 x BALANCED
LINE (DIRECT OUT
OF BASS AMP) |
| |
|
|
PHIL V |
1 x VOCAL MIC
(SM58 OR
SIMILAR) |
| |
8 x
DRUM MICS, one
each for
KICK, SNARE, HI
HATS, RACK TOM,
FLOOR TOM, BONGOS &
2 x OVERHEADS |
| |
|
|
MONITORS |
FRONT OF HOUSE
MIX IS FINE, OR
AS MANY
INDIVIDUAL MIXES
AS YOU CAN
MANAGE, IN
ONE WEDGE EACH |
| |
|
|
PERFORMANCE
NOTES |
STANDARD VOCAL
REVERB PLEASE,
BYPASSED BETWEEN
SONGS. A TINY
BIT OF REVERB ON
RON'S GUITAR AND
PHIL V'S SNARE
DRUM. EVERYTHING
ELSE WE DO FROM
THE STAGE.
AL (STAGE RIGHT)
IS THE ONLY ONE
WHO CHANGES
INSTRUMENTS. HE
RUNS EVERYTHING
THROUGH THE SAME
EFFECTS LINE,
AND USES AN A/B
BOX TO SWITCH
BETWEEN AMPS. HE
IS ABLE TO MUTE
EVERYTHING FROM
THE STAGE, SO
THERE IS NO NEED
FOR THE ENGINEER
TO MUTE
ANYTHING.
RON (STAGE
CENTRE) WILL
OCCASIONALLY DO
A SONG WITHOUT
HIS GUITAR, AND
WILL PUT IT ON
ITS STAND, SO
THE ENGINEER
WILL NEED TO
MUTE IT.
BEFORE THE SET
WE WILL GIVE YOU
A SET LIST WITH
INSTRUMENT
CHANGES / MUTES
HIGHLIGHTED. |
